This is a guest post by Kara Dennison.
Full disclosure before we begin: I was a Christmas pageant kid. Largely because at my old church there were maybe five children total. I was Mary every year for several years, until I hit the preteen years and graduated to being the angel because apparently that’s how Christmas pageants work. The point is, I did the whole dang “That’s what Christmas is all about, Charlie Brown” thing. And I was aware “Gloria!” was a big deal show (big enough that I didn’t go last year because the line went on forever), but did I want to stand in line for a Christmas pageant?
Listen up, though. This show is ridiculously pretty, the music is extremely good, and the staging is (sorry) glorious. Yeah, it’s a Christmas pageant — but it’s like the best ever high-end Christmas pageant.
The first thing of note: the scrim. No, seriously. They make extensive use of it, and it’s very cleverly handled. This is performed at the Abbey Stone Theatre in Killarney, which is a much smaller and more intimate performance space than, say, the Globe. But they make up for their lack of fly space and pyrotechnics by using the scrim and back screen to project set pieces and special effects, with the actors between the two in a way that integrates them into the imagery very cleanly and artistically. The costumes are essentially what you’d expect them to be, save for our lead angel (see above), who’s straight out of Jesus Christ Superstar and looks amazing.
What’s most interesting is that yes, they are doing a Nativity play jukebox musical using Christmas carols. And they are ramping it up. But they seem to know what they’re meant to ramp up and don’t fix what ain’t broke. There’s a full band down front performing all the music live (and sit near the band if you can, because it’s very fun to watch them), there’s a decidedly more modern tone to some segments and orchestrations, but all things considered, it is very traditional.
The singers, incidentally, are astounding — some of the best I’ve heard in the park. The soloists especially in the choral numbers are just mind-blowing, and I’m glad they took the time to put credits with photos outside the Abbey Stone. And the aforementioned band is top-notch, too. We were sitting rather close to them, so I can’t vouch for how good they sound at the far ends of the theatre, but they were good and loud and strong from where we were sitting.
Honestly, my only issue with it was probably only an issue on the night: there seemed to be some set pieces that were moving and thumping oddly as they were being slid on and off the stage. I’m not sure if that was an error on the night or if there’s something that needs looking into. Fortunately nothing came crashing down, but it seemed odd in a production that was otherwise well put together.
I mean, yeah, I appreciate “Gloria!” might not be everyone’s jam. But even if you’re not of a terribly religious bent, give it a go, because it is a beautiful show managed extremely well and sung with a hell of a lot of heart. And no, seriously. Look at that angel. Look. Tell me you would not wear that suit to a party.